After fifteen years of absence spent in a hermitage in the Haemi region, Korean artist Park Dong-Soo signs his big comeback on the contemporary scene with an explosive carte blanche. The visual artist invites us to meet at the top of the National Museum of Asian Arts, under the majestic rotunda where this spectacular installation takes pride of place, made of geometric blocks of roughcast on wood covered with disparate drips and splashes. On the walls, large monochrome canvases correspond with each other, questioning our relationship to space-time. Guided by an original force, Park Dong-Soo gives free rein here to a primitive creative energy, an abstract chaos giving birth to an eruptive, circular and volcanic work, like an expanding universe mixing the infinitely small with the excessively large.