Immerse yourself in the fictional and organic worlds of a “professional dreamer”. Maya Rochat is not simply a painter, nor quite a photographer. The Swiss artist gladly leaves the too smooth or too narrow framework of the traditional figure to design a radical, violent, pop and sweet work. An explosive cocktail characterized by its
hypnotic, holographic, almost chemical clichés, or by its brilliant blue inks covered with bleach. Through her successive destructions and constructions, physical and digital, Maya Rochat shifts reality towards an imaginary world, an artificial landscape saturated with colors. Literally bathed in
“matter”, the artist plunges us into a life-size, colorful, raw, punk, asphyxiating abstraction. This exhibition – the first of this scale in the capital – is no exception to the rule. From the unbridled collages of her debut to this room covered with printed carpets, converted into an immersive projection space, the photographer denounces here the visual pollution generated by the continuous flow of digital images in the most beautiful way.
M et T sont des marques de la RATP. Sous réserve de disponibilité, les logotypes de la RATP sont téléchargeables et exploitables gratuitement à partir du site data.ratp.fr dans les conditions visées au sein de celui-ci.
GRAND PALAIS From December 16, 2026 to March 21, 2027
The Grand Palais is entrusting two entire galleries to Mika Ninagawa and the EiM collective, from December 16, 2026 to March 21, 2027. The Japanese photographer pushes her saturated colours towards installation and moving image.
Palais de Tokyo From October 21, 2026 to February 14, 2027
From October 21, 2026 to February 14, 2027, the Palais de Tokyo is dedicating Paul Kodjo's first major solo exhibition in France, Photoromance. It features the photo novels shot in the streets of Abidjan and published from 1971 onwards in Ivoire Dimanche.
JEU DE PAUME From October 20, 2026 to January 10, 2027
From October 20, 2026 to January 10, 2027, the Jeu de Paume is dedicating its most important French monograph in thirty years to Stan Douglas with "Parallax." Between photography and cinema, the Canadian artist recreates vanished scenes—riots, ballrooms, or street corners—with the precision of an archivist.
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