True or false ? The Canadian Cultural Center blurs the boundaries a little more with the virtual world by imagining this fascinating collective exhibition in connection with the Nemo Biennale. In the era of the unbridled use of intellectual algorithms,
artificial intelligence in industry as in art, artists here put their work in the hands of machines and other artificial programs to give birth to multiple copies, capable of generating infinite variations. The masked photographs of Chun Hua Catherine Dong thus question our relationships with identity, while the sculptures of Nicolas Sassoon, assemblages of volcanic stones and LCD screens, perfectly illustrate the strange hybridization of our societies. If questions of ethics and authenticity arise, this experience offers us a unique spectacle, that of admiring a work of art in the making.